Category Chamber

False Wonk

Program Notes: Derived from the anagram “Snowflake,” False Wonk translates the iterative principles of the Koch Snowflake fractal into a sonic experience. The piece utilizes a specific staging of twelve saxophonists divided into four antiphonal groups of three. This arrangement… Continue Reading →

White

Program Notes: White is a compositional study in stillness and monochromatic texture. Written early in my career, the work serves as a direct homage to Takashi Yoshimatsu’s White Landscapes, a piece that deeply influenced my understanding of how silence and… Continue Reading →

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